The analysis of Dimitris Papaioannou’ s creative process proved particularly interesting for the audience that filled the hall of the Friends of Music Society. Under the chairmanship of Avra Xepapadakou, it was the turn of Lelle Demertzi and Eleni Papalexiou to describe their experience following the work of Papaioannou from conception to performance, emphasizing the theoretical dimensions and the scientific methodology of recording and interpreting the creative process.
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