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Η "Θεία Κωμωδία" μέσα από τα τετράδια του Romeo Castellucci

Ευαγγελία Χελιώτη (2025), Η "Θεία Κωμωδία" μέσα από τα τετράδια του Romeo Castellucci. Μεταπτυχιακή Διπλωματική Εργασία. Ναύπλιο: Τμήμα Θεατρικών Σπουδών-Πανεπιστήμιο Πελοποννήσου.



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Ιζαμπέλ, αυτός ο Άγγελος του Παράξενου

Έλενα Παπαλεξίου, "Ιζαμπέλ, αυτός ο Άγγελος του Παράξενου", Η Καθημερινή, 23.03.2025, 7.

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Ο κινηματογραφικός φακός ως μέσο απόδοσης των έργων "Πρώτη ύλη", "Ο μεγάλος δαμαστής" και "Since she" του Δημήτρη Παπαϊωάννου

Νίκος Νικολόπουλος (2024), "Ο κινηματογραφικός φακός ως μέσο απόδοσης των έργων Πρώτη ύλη, Ο μεγάλος δαμαστής και Since she του Δημήτρη Παπαϊωάννου, TIDF26, 33-44.

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The First Steps of Dimitris Papaioannou through his Archive

Elpida Komianou (2024), The First Steps of Dimitris Papaioannou through his Archive, MA Thesis, MA in Performing Arts-Hellenic Open University & The Genesis Project.

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Rhythm as the ultimate technical characteristic of performance in the work of Claudia Castellucci

Sophia Niaounaki (2024), Rhythm as the ultimate technical characteristic of performance in the work of Claudia Castellucci, MA Thesis, Dept of Theatre Studies-University of the Peloponnese & The Genesis Project. 

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Promotion and Enhancement of Cultural Archives in Greece: current trends and methodologies

Valia Vraka (2024). Promotion and Enhancement of Cultural Archives in Greece: current trends and methodologies, Ph.D. chapter, Athens: The Genesis Project

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Cultural Heritage, Archives and Digitization: an Evolving Triptych

Marina Nastou (2023). Cultural Heritage, Archives and Digitization: an Evolving Triptych, Ph.D. chapter, Athens: The Genesis Project

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Sur les traces de l’Orestie (une comédie organique ?) de Romeo Castellucci: De sa conception (1995) à sa reprise (2015)

Eleni Papalexiou & Avra Xepapadakou (2023). «Sur les traces de l’Orestie (une comédie organique ?) de Romeo Castellucci: De sa conception (1995) à sa reprise (2015)», Parcours de génétique théâtrale: brouillons, variations et transpositions, Sophie Lucet & Ana-Clara Santos (eds), Paris : Le Manuscrit, 99-128.

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Metamorphoses of Medea on the Contemporary Stage

Eleni Papalexiou, ‘Metamorphoses of Medea on the Contemporary Stage’, Proceedings of the 2nd International Conference of Ancient Greek Drama: The Divine and the Polis in Euripides, A. Markantonatos, B. Georgopoulou & D. Kosmopoulou (eds), Athens: Hellenic Cultural Foundation, 2023, 203-222.

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Romeo Castellucci: To Eleusis

Eleni Papalexiou, "Romeo Castellucci: To Eleusis", in the evening programme of the production Ma, Eleusis: 2023 Eleusis European Capital of Culture, 2023, 6 & 7.

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Usages du prosopeion dans les représentations de la tragédie grecque du XXe siècle

Eleni Papalexiou, "Usages du prosopeion dans les représentations de la tragédie grecque du XXe siècle", in Le Masque scénique dans l'Antiquité, Giulia Filacanapa & Guy Freixe et Brigitte Le Guen (eds), Montpellier: Editions Deuxième Epoque, 2022, 322-336.

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Towards a Model of Digital Narration of the Creative Process of Performance

Eleni Papalexiou, "Towards a Model of Digital Narration of the Creative Process of Performance", European Journal of Theatre and Performance, 2, May 2020, 378-423.


Due to the multiformity of creative processes involved in the performing arts, genetic research must possess the necessary means for the documentation, collection, and management of an enormous amount of information produced during all the stages of creation.

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